GOOD AND GROSTESQUE
So, I recently met screenwriter Benedict Fitzgerald, who co-wrote The Passion of the Christ with Mel Gibson. It was a funny encounter, because as cool as it was to congratulate him on his achievement in TPOTC, I was preoccupied for information about something EVEN MORE COOL AND EXCITING....
ME: So, I have heard that your mother is THE Sally Fitzgerald.
Benedict F. responds with a nod and a knowing chuckle that says "Oooh, you're one of them, are you?"
ME: Did you ever meet (reverential tone) Flannery O'Connor?
Benedict F: She was my babysitter. Her book Wise Blood was my first foray into screenwriting, you know. I wrote it for John Huston.
I tried not to get stuck on the humbling fact that MY first foray into screenwriting was a 12 miniute documentary on the Sorority System for Northwestern University.... actually, that does have a kind of grostesqueness to it, so maybe...?
Anyway, it occurred to me in talking with Mr. Fitzgerald that several people have found some things in TPOTC "grostesque", like, for example, the crow poking out the bad thief's eyeballs. Benedict Fitzgerald came by that monniker honestly, it seems to me, and thank God for that.